Archive for February, 2010

[Rock] from Yelping Hill Records

Craving To Be Coddled So We Feel Fake Safe

A Faulty Chromosome

review by billie swift
Sunday, February 28th, 2010

This dream pop/weird noise/old recordings/chimes/claps/looped discrete mumblings/crowds/parties/muppets playing kazoos sounding like a schitzophrenic having a karaoke party music is SOMETHING fo’ sure. Snap, crackle and poppy tunes sounds like everything and nothing I have ever heard at the same time and is pretty good time.

FCC: clean

RIYD: Ariel’s Pink Haunted Graffiti, The Octopus Project, The Books, mashed up recordings and having your system overloaded with fuzzy joy

PLAY: 2, 4, 11

[Metal] from SIN/Sony Australia

Sound Awake

Karnivool

review by bbarratt
Sunday, February 28th, 2010


Karnivool- Sound Awake
released February 16, 2010 on SIN/Sony Australia

I reviewed Karnivool’s Set Fire To The Hive EP back in September of 2009 and I described their sound as complex and progressive with a feel similar to that of Tool. I overlooked a reference to Porcupine Tree but for this review, I chose to go with what I’m more familiar with.  This is their full-length album as promised and it fleshes out what they set out to do. “New Day” contains low vocals followed up by a time-signature that starts out simple enough and builds with each passing minute, dominated by masterful bass playing and well-timed drums. As the song plays out, the drums and bass build and crest before dropping back down. It’s as if they’re channeling Tool and possibly Pelican, but in a softer, more accessible, dare I say mainstream manner. “Deadman” is a 12 minute long jam with a time signature full of progressive drumming and guitar. Basically, a non-live, slightly extended version of the song that appeared on the Set Fire To The Hive EP. Intended to show what Karnivool is capable of, it often feels repetitive at least until 10 minutes in when it slows down to a near-whimper with softer vocals/instrumentation. Basically, a three part song.  I don’t really think that they have the skills to pull off such a song without sounding repetitive. However, it’s an admirable attempt. In fact, this album certainly aims high but the fact that it’s aimed towards a more mainstream audience could either make or break this band.  They’ve certainly evolved beyond their early days though.

FCC: 2
Try: *3*, 4, 9, *10*

[Metal, Rock] from Hydra Head Records

S/T

Harvey Milk

review by bbarratt
Sunday, February 28th, 2010

Harvey MilkS/T
released January 26, 2010 on Hydra Head Records

Harvey Milk was an experimental/noise rock band consisting of Creston Spiers, Stephen Tanner, Paul Trudeau, Kyle Spence and Joe Preston. They formed in 1996 and were based out of Athens, GA. This is a properly remastered release of Harvey Milk’s debut album. I’ll go through the tracks that I liked the most. Track 3 has a pace that is fast, loud and dominated by drums. Track 5 slows with a good dose of melody thrown in. The time signature breaks at 2:45, giving way to a slower, sludgier pace. Track 9 has an epic feel to it and the time signature incorporates rising guitars/bass and cresting drums in an abrupt manner. Track 10 is faster and has a strong Melvins feel to it. In fact, it’s not a stretch to say that this album has a strong Melvins influence going. Personally, I can’t think of anything else to compare with Harvey Milk. It’s certainly an interesting album that laid the groundwork for later albums. Certainly check this out if you’re looking to move into the experimental, progressive noise-rock realm.

FCC: Take your chances
Try: 3,5,*9*, 10

[Punk/Ska, Rock] from RF Record Club

Self-Titled EP

Rough Francis

review by bbarratt
Sunday, February 28th, 2010

Rough Francis- Self-Titled EP
released February 2010 through RF Record Club

Rough Francis can be described as a band with a sound that takes the best of garage rock and punk rock and melds them together into their sound. They are local to Burlington and contain 3 of the Hackney sons (Bobby Jr., Julian and Urian), the same family that gave us Death and Lambsbread. Track 1 has a very 70s punk/garage feel to it. Exploring it some more, I hear elements of The Clash along with The Stooges and The Damned as well. Track 2 sounds like it has elements of Steppenwolf mixed in with a bit of the MC5.Track 3 is upbeat and plays out more like a street punk anthem and it’s very fun to follow along with. Track 4 has a strong Sham 69 feel to it and sounds like it could have come out of their music catalog.

Overall, a very impressive EP from a band with tight instrumentation and the ability to fashion a song that will get you jumping all over the place. I would love to see them play live. I’m looking forward to a full-length if they get around to putting out one. Definitely a local band to watch and I can’t believe I never heard them until now. Play, play, play!

FCC: Check as no lyric sheet
Try: All

[Jazz] from

Live At The Jazz Corner Of The World

The Mickey Bass New York Powerhouse Ensemble

review by LJPalardy
Saturday, February 27th, 2010

Fortunate for us that Micky’s last name is also the name of his instrument. All original cuts(4) make for long great extended solos in this live performance. Expert sidemen. Re-release from original 1991 recording.    VERY GOOD

[Jazz] from Resonance

Simpatico

Claudio Roditi

review by LJPalardy
Saturday, February 27th, 2010

Roditi(tpt & brass instrms) leads this ensemble in a mix of jazz & Brazilian(born) tunes. Good mix of straight ahead cuts denoting his chops as for having his feet firmly planted in both genres. All cuts are original compositions.

[Jazz] from Blue Music

Northern Sunrise

Mika Pohjola

review by LJPalardy
Saturday, February 27th, 2010

I think the title denotes Pohjola(p)Finnish heritage. Classical training is obvious especially in intros. All compositions are original.

[Jazz] from Savant

The Groover

Mike Ledonne

review by LJPalardy
Saturday, February 27th, 2010

Title clearly states what the music is all about. Well put together w/an eye for tempo. The sidemen are heavy hitters which you normally don’t see/hear in prototypical B-3 releases.

[Jazz] from EJT

Kinetic

Erik Telford

review by LJPalardy
Saturday, February 27th, 2010

Debut CD by Telford(tpt). All original compositions. Very much influenced by jazz/rock fusion of the 60’s & 70’s which for hard core jazz freaks may sound a tad old school.

[Jazz] from Sunnyside

Bombella

Abdullah Ibrahim & WDR Big Band Cologne

review by LJPalardy
Saturday, February 27th, 2010

Ibrahim(p) has more often than not played in a slow/meditative style. Nothing has changed here, with the exception that compositions(all original except for first half of #7) have a much richer feel by the accompaniment of the orchestra. Some cuts denote his South African heritage.